Occidental Totems immerses the viewer into the life of a controversial artist: Jacob Epstein (1880-1959), mentor of Henry Moore, who will narrate the story of the statues he carved on the facade of the old Zimbabwe Embassy in London. The primitivist figures depicted a deviant humanity but got mutilated by the colonial power. In a fictional shift, Epstein who praised this exotic “other” seems to enter into a trance himself: the statues talk to him and give an account of a new radical reading of history.
“The tombstone where (…)” is a work which conflate two notions of personification. The way materialist philosophers such as Karl Marx and Friedrich Engels chose to face death according to their convictions, and how their legacy has been diluted through time by the construction and deconstruction of memorial and official worshipping.